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Antropov, Aleksey
Beelt, Cornelis
Berchem, Nicolaes
Blanchet, Thomas
Brouwer, Adriaen
Brugghen, Hendrick ter
Cagnacci, Guido
Cano, Alonso
Caravaggio
Carracci, Annibale
Ceruti, Giacomo
Cesari, Giuseppe
Conca, Sebastiano
Crespi, Giuseppe Maria
Cuyp, Aelbert Jacobsz
de Boulogne, Valentin
de Bray, Jan
de Champaigne, Philippe
de Grebber, Pieter Fransz
de Heem, Jan Davidz
de Hondecoeter, Melchior
de Hooch, Pieter
de La Hyre, Laurent
de la Tour, Georges
de Ribera, Jusepe
de Zurbaran, Francisco
Domenichino
Dou, Gerard
Dujardin, Karel
Duplessis, Joseph
Fabritius, Carel
Fontebasso, Francesco
Gaulli, Giovanni Battista
Gentileschi, Artemisia
Gentileschi, Orazio
Giordano, Luca
Goyen, Jan van
Guercino
Hals, Dirck
Hals, Frans
Haussmann, Elias Gottlob
Heda, Willem Claesz
Heyden, Jan van der
Jordaens, Jacob
Jouvenet, Jean
Le Brun, Charles
Le Nain, The Brother
Leyster, Judith
Lievens, Jan
Lorrain, Claude
Metsu, Gabriel
Murillo, Bartolome Esteban
Nattier, Jean-Marc
Nikitin, Ivan
Potter, Paulus
Poussin, Nicolas
Preti, Mattia
Rembrandt
Reni, Guido
Ribera, Jusepe de
Ricci, Sebastiano
Rigaud, Hyacinthe
Rubens, Peter Paul
Saftleven, Herman
Sassoferrato, Giovanni Battista Salvi
Savery, Roelant
Snyders, Frans
Solimena, Francesco
Steen, Jan
Stomer, Matthias
Strozzi, Bernardo
Tempesta, Antonio
Teniers, David the Younger
ter Borch, Gerard
ter Brugghen, Hendrick
van Bylert, Jan
van Dyck, Anthony
van Everdingen, Caesar
van Honthorst, Gerrit
van Oost, Jacob the Elder
van Ostade, Adriaen
van Rijn, Rembrandt
Velazquez, Diego
Vermeer, Johannes
Verspronck, Johannes Cornelisz
Vertangen, Daniel
von Baburen, Dirk
Vouet, Simon
Wouwerman, Philips
Wright, Joseph
Zurbaran, Francisco de

Baroque

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Baroque may come from the term barocco, as used for irregular or misshapen pearls. When originally used as a descriptive term, it was a reference to a departure from classicism not only in painting, but in architecture, sculpture, music and literature. Baroque art as we know it is associated with a large scale; sweeping diagonal movement; a tendency to break away from the picture plane both in depth and towards the viewer; forms flowing and swirling one into the other; colorism, chiaroscuro and illusionism.* Basically, drama at its best. Our most prominent artists of the time were Caravaggio and Rubens, both of whom are known to have a great effect on the art of the 17th Century. However, take a look around and determine for yourself who was great and what they contributed. And as always, if you don't see the image you are looking for, contact us. We can still recreate it.

*The Yale Dictionary of Art and Artists; E. Langmuir and N. Lynton; first published as a Yale Nota Bene book (2000)